TAE PHOENIX

Singer-Songwriter • Activist • Writer

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A natural-born storyteller with the polish of an accomplished actress and the authentic edge of a seasoned blues musician.

Seattle Weekly

Music

Featured Track: “I wanna see you be brave.”

Music is the art form we turn to when we need to build bridges and make ourselves plainly understood.

In January 2020, the United States was in crisis. The president was holding vital defense support to Ukraine hostage as a means of coercing their government into investigating the son of a political rival.

My civil disobedience action inside the Senate’s Russell Rotunda – performing Sara Bareilles’ “Brave” in an area where protest is strictly forbidden – was a call on Republican Senators to join Democrats in voting to remove that corrupt president from office.

More Music

Everyone You’ll Be EP • Studio Album Release Date: Feb 2024
Home demos…

Tae Phoenix · The Girls You'll Be Demos
Deep Cuts

Tour Dates

CityDateTimeVenue
Boston8/7/23TBABerklee Performance Center*
Boston8/8/233:30pmCafe 939
New York8/14/236pmRockwood Music Hall
Washington, DC8/17/232-4pmWOWD Radio
Reston, VA8/18/236pmLake Anne Plaza
* I am a backup singer as part of a larger ensemble.

Bio / Artist Statement

My name is Tae Phoenix and my favorite party game is “two truths and a lie.” See if you can guess which is which:

The answer is in the footer of the website.

My work is about themes that everyone can relate to on some level: rejecting conformity, embracing authenticity, and finding the connections between healing ourselves and building the world we want.

Sometimes, when I’m stuck on where a musical idea belongs, I’ll write lyrics from the perspective of a fictional character and see where that takes me. I love this approach because I tend to obsess over stories: telling them, absorbing them, analyzing them. It doesn’t really matter as long as I’m immersed. I’ve written songs that started out as screenplays and the beginnings of musicals that I originally thought were novels. It all makes me ridiculously happy.

My favorite thing about using music as a storytelling vehicle is that a well-timed and well-written song can convey a tremendous amount of information just with the placement of a quarter note rest. I learned this the first time I performed in a Sondheim show. (“Into the Woods.”) I looked at the score, thought, “wow! It’s turtles all the way down, “and never looked back.

The performing arts world is a wonderful place for many reasons, but it’s also not an easy space for me to enter. As an Autistic, I get easily overwhelmed by loud, chaotic environments like music clubs. In a people-oriented business, missing a social cue, facial expression, or change in tone of voice can have implications that aren’t always obvious in the moment. One of my goals as I work in this space is to build more inclusive and accessible spaces for “neuro-spicy” artists and our supporters.

Videos

Live

Music & Lyric Videos

Five Questions with Carolyn Agee

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I first met Carolyn Agee during the video shoot. She was such a good sport and dealt with public transit on multiple days in the pouring-down rain to be part of the project. The “RESIST” sign on the back of her wheelchair is among the coolest things ever.

Here is Carolyn in her own words.

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On Identity

Tae: The “We Shall Not Be Moved” video is about bringing people together across the identity-based lines of division that have traditionally been used to pit us against each other. Can you share with us how you identify, what you need from your co-conspirators for social justice, and who you’re committed to standing up for?

Carolyn: I am disabled and gender-fluid. I think accessible forms of protest are so important! Not being able to take my wheelchair safely down steep protest routes is one of the things that keeps me from street protests. I am committed to standing up for immigrants, the LGBTQ community, the deaf and disabled and victims of police violence, victims of the industrial prison complex, and victims of hate crimes and/or gender based violence.

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On Social Justice Role Models

Tae: Who are your social justice role models and influencers? Who would you most like to hear “you’ve done well” from?

Carolyn: On a personal level I am influenced by Renée Roman Nose and her work toward justice for the Native community. I am also really excited for the new work that the National Disability Theatre is starting! On a broader scale Eleanor Roosevelt was someone I admired from a young age and as a theatre artist, Augusto Boal.

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On Voting

Tae: What information do you consider when deciding which initiatives, ballot measures, and candidates to support?

Carolyn: Do these policies actively help to dismantle systemic injustice? Will these policies negatively affect a minority population? Is this just something we can pat ourselves on the back for without actually doing the work of changing anything or will it affect actual change? Does this candidate support human and civil rights for all people, even if they look, love, believe or act differently than they do?

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On the Bottom Line

Tae: When it comes to the constant onslaught of outrage from this regime, we all have to consider our own personal bottom lines. What would you get arrested for? What would you put your safety on the line for?

Carolyn: Human rights, civil rights and freedom of speech and press are things that we not only need to achieve to a greater level in our society, but are at great risk of losing. Once lost, they are very difficult to regain. Physical freedom is not worth the imprisonment of the soul.

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On Hope

Tae: What gives you hope in these troubled times?

Carolyn: Art and community. We must strive to see and uplift the dignity in each other. And we must hold space with and speak out for each other when that dignity is under threat.

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As part of the launch of the “We Shall Not Be Moved” music video, I’m asking members of the cast and crew five questions about identity, voting, social justice, and hope. I’ll be posting these on my blog in the coming weeks.

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