TAE PHOENIX

Singer-Songwriter • Activist • Writer

Mailing List

If your email inbox looks anything like mine, you’re probably nervous about signing up for one more mailing list.

Don’t worry, this one is different.

TierPriceFrequencyContent
DestinationFREE3-4/yearReleases & Tour Dates
Journey$5/month*~ monthlyMusic, Photos, Writing
*All previous crowdfunding backers get permanent access to the paid tier.

Hitting the “subscribe” button opts you into the “destination” tier. You can customize how often you hear from me from there.

A natural-born storyteller with the polish of an accomplished actress and the authentic edge of a seasoned blues musician.

Seattle Weekly

Music

Featured Track: “I wanna see you be brave.”

Music is the art form we turn to when we need to build bridges and make ourselves plainly understood.

In January 2020, the United States was in crisis. The president was holding vital defense support to Ukraine hostage as a means of coercing their government into investigating the son of a political rival.

My civil disobedience action inside the Senate’s Russell Rotunda – performing Sara Bareilles’ “Brave” in an area where protest is strictly forbidden – was a call on Republican Senators to join Democrats in voting to remove that corrupt president from office.

More Music

Everyone You’ll Be EP • Studio Album Release Date: Feb 2024
Home demos…

Tae Phoenix · The Girls You'll Be Demos
Deep Cuts

Tour Dates

CityDateTimeVenue
Boston8/7/23TBABerklee Performance Center*
Boston8/8/233:30pmCafe 939
New York8/14/236pmRockwood Music Hall
Washington, DC8/17/232-4pmWOWD Radio
Reston, VA8/18/236pmLake Anne Plaza
* I am a backup singer as part of a larger ensemble.

Bio / Artist Statement

My name is Tae Phoenix and my favorite party game is “two truths and a lie.” See if you can guess which is which:

The answer is in the footer of the website.

My work is about themes that everyone can relate to on some level: rejecting conformity, embracing authenticity, and finding the connections between healing ourselves and building the world we want.

Sometimes, when I’m stuck on where a musical idea belongs, I’ll write lyrics from the perspective of a fictional character and see where that takes me. I love this approach because I tend to obsess over stories: telling them, absorbing them, analyzing them. It doesn’t really matter as long as I’m immersed. I’ve written songs that started out as screenplays and the beginnings of musicals that I originally thought were novels. It all makes me ridiculously happy.

My favorite thing about using music as a storytelling vehicle is that a well-timed and well-written song can convey a tremendous amount of information just with the placement of a quarter note rest. I learned this the first time I performed in a Sondheim show. (“Into the Woods.”) I looked at the score, thought, “wow! It’s turtles all the way down, “and never looked back.

The performing arts world is a wonderful place for many reasons, but it’s also not an easy space for me to enter. As an Autistic, I get easily overwhelmed by loud, chaotic environments like music clubs. In a people-oriented business, missing a social cue, facial expression, or change in tone of voice can have implications that aren’t always obvious in the moment. One of my goals as I work in this space is to build more inclusive and accessible spaces for “neuro-spicy” artists and our supporters.

Videos

Live

Music & Lyric Videos

Such a little oddball…

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I got an autism diagnosis this spring – which offered me some much-needed clarity into many questions I’ve lived with my whole life.

Why was I so sensitive and easily overstimulated? Why did so many conversations with peers go badly when I was a kid? Why did so many adults in my life seem to think I was too “difficult” to work onstage?

I wrote “Play the Fool” (which will be on the EP I’m in the middle of making) about that weird little girl I was, crying and stimming at concerts, bursting into arias in the middle of art class, and longing to do something that so many other people seemed to think was not possible or wise.

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That experience of being different planted the seeds of my investment in social justice, and – when combined with my lived experiences of Jewishness, Latinidad, and femmehood – created the framework through which I began to understand the concept of intersectionality.

This EP I’m going to make with your help is about looking at this period of my life through the lens of all the girls I’ve been, capturing how it feels both personally and politically, and giving it the feel of timelessness.

I’m so grateful for the opportunity to participate in this process. If you haven’t already, I hope you’ll consider joining my other wonderful backers on Kickstarter. 💖

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