TAE PHOENIX

Singer-Songwriter • Activist • Writer

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A natural-born storyteller with the polish of an accomplished actress and the authentic edge of a seasoned blues musician.

Seattle Weekly

Music

Featured Track: “I wanna see you be brave.”

Music is the art form we turn to when we need to build bridges and make ourselves plainly understood.

In January 2020, the United States was in crisis. The president was holding vital defense support to Ukraine hostage as a means of coercing their government into investigating the son of a political rival.

My civil disobedience action inside the Senate’s Russell Rotunda – performing Sara Bareilles’ “Brave” in an area where protest is strictly forbidden – was a call on Republican Senators to join Democrats in voting to remove that corrupt president from office.

More Music

Everyone You’ll Be EP • Studio Album Release Date: Feb 2024
Home demos…

Tae Phoenix · The Girls You'll Be Demos
Deep Cuts

Tour Dates

CityDateTimeVenue
Boston8/7/23TBABerklee Performance Center*
Boston8/8/233:30pmCafe 939
New York8/14/236pmRockwood Music Hall
Washington, DC8/17/232-4pmWOWD Radio
Reston, VA8/18/236pmLake Anne Plaza
* I am a backup singer as part of a larger ensemble.

Bio / Artist Statement

My name is Tae Phoenix and my favorite party game is “two truths and a lie.” See if you can guess which is which:

The answer is in the footer of the website.

My work is about themes that everyone can relate to on some level: rejecting conformity, embracing authenticity, and finding the connections between healing ourselves and building the world we want.

Sometimes, when I’m stuck on where a musical idea belongs, I’ll write lyrics from the perspective of a fictional character and see where that takes me. I love this approach because I tend to obsess over stories: telling them, absorbing them, analyzing them. It doesn’t really matter as long as I’m immersed. I’ve written songs that started out as screenplays and the beginnings of musicals that I originally thought were novels. It all makes me ridiculously happy.

My favorite thing about using music as a storytelling vehicle is that a well-timed and well-written song can convey a tremendous amount of information just with the placement of a quarter note rest. I learned this the first time I performed in a Sondheim show. (“Into the Woods.”) I looked at the score, thought, “wow! It’s turtles all the way down, “and never looked back.

The performing arts world is a wonderful place for many reasons, but it’s also not an easy space for me to enter. As an Autistic, I get easily overwhelmed by loud, chaotic environments like music clubs. In a people-oriented business, missing a social cue, facial expression, or change in tone of voice can have implications that aren’t always obvious in the moment. One of my goals as I work in this space is to build more inclusive and accessible spaces for “neuro-spicy” artists and our supporters.

Videos

Live

Music & Lyric Videos

About Tae

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Cheesy as it may sound, I believe that music really can change the world.

 

I use music to inspire, activate, and coordinate resistance to corruption, authoritarianism, white supremacy, patriarchy, and poverty.

 

You can scroll down if you want the longer story.

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Cheesy as it may sound, I believe that music really can change the world.

 

I use music to inspire, activate, and coordinate resistance to corruption, authoritarianism, white supremacy, patriarchy, and poverty.

 

You can scroll down if you want the longer story.

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My name is Tae Phoenix and I’m the child of two worlds. My mother is Latina and my father is Jewish. I like to say this makes me a “challah-peño.”

As a child of mixed heritage, I’ve spent the bulk of my life asking big questions about identity and belonging; so I’m well-attuned to the ways that our backgrounds shape our experiences of the world.

Like many Americans prior to the Presidential election of 2016, I believed that the success of Barack Obama’s presidency meant that our country was fully ready to move forward on civil and human rights. After the election, I saw just how much work we still have to do to build a country where everyone is safe, healthy, and free.

I’ve been political my entire life, and a professional singer songwriter for the past seven years; but it wasn’t until November of 2016 that I really understood what my voice was for. After the election, I began writing the most authentic songs of my life – songs about my promises to myself and my fellow human beings, my hopes for the future, and most immediately, my anger at those Trump voters who could afford not to take politics personally.

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That’s partly because Trump’s heartless policies are personal for me. In addition to my ethnic identities, I live with disabilities that will require lifelong medical maintenance. Without the Affordable Care Act, I would not be alive today.

As I began to sing and speak my truth in public, I heard from people all over that my work had lifted their spirits and encouraged them to take action. Over the past two years, I’ve been given the opportunity to organize and perform with activists and artists from every concievable background. Through their stories and our work together, I have learned that my liberation from oppression depends on liberating everyone from all forms of structural oppression.

We are at an inflection point in the course of human history. We have the opportunity to heal the wounds of the past, address the wrongs of the present, and build a future for our species that we will be proud to leave to future generations. All we have to do to achieve that goal is to act with a fierce advocacy for our shared humanity.

That’s the message I hope to convey with my new music video, an adaptation of the classic civil rights protest song “We Shall Not Be Moved.”

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“We Shall Not Be Moved” is a collaboration with producer Maurice Jones Jr., vocal director and featured artist Josephine Howell, and filmmaker Lara Lavi-Jones.

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